Now that 2006 is half over, it's a perfect time to reflect back on 2005 albums that I and others somehow missed the memo on. While this is not an exhaustive look at overlooked 2005 albums, the following have really grown on me in the last six months.
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Okkervil River's
Black Sheep Boy didn't grab me on the first few listens. Will Sheff's vocals sounded a bit too whiney and the repetitive lyrical themes annoyed me a bit. What I realize now is that those lyrics are stellar. It's pretty depressing, introverted, Bright Eyes-esque music, but don't let the heart-on-the-sleeve vocals turn you away. It's also beautifully arranged and produced music with enough going on lyrically to keep the listener engaged.
Okkervil River- For RealOkkervil River- A Stone
Devendra Banhart ditched the "freak-folk" thing for his current, less interesting, pseudo-hippie thing. A shame - because when done correctly, melding a folk song with macabre or strange musical elements or approaches can make for some amazing music. Joanna Newsom and Akron/Family are great examples, and so is David Thomas Broughton.
The Complete Guide To Insufficiency is a startling debut from the English singer-songwriter. The entire album was recorded all in one take in a big empty church - just Broughton, his guitar and some effect pedals. Broughton's voice is like a more appealing version of Antony's from Antony and the Johnsons - odd, yet affecting. The album's dark lyrical themes (death, drugs, rape) add to the album's ambiance. If you want more information, read the
Coke Machine Glow review, or get a few beers in me and then ask. I'll go on forever and then invite you to my house for a listening party. In hindsight, this may be one of my favorite pieces of music from last year.
David Thomas Broughton- Ambiguity
Hype is such a terrible thing. It taints our perception of things. Did I like this album because everyone else said it was amazing, or did I like it because it was good? Hard to tell sometimes. While the hype surrounding Wolf Parade's
Apologies to Queen Mary certainly made me view it with a critical eye, I must say it has held up to repeated listens. Now that the sun has come out again, tracks like "Shine A Light" and "I'll Believe In Anything" sound absolutely stellar. Believe the hype - great rock music.
Wolf Parade- Shine A Light
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